Per quanto tristi i miei casi, e orrendi i fatti, aspre le lotte, dolorose le vicende: già storia, non cangiano più, non possono più cangiare, capite? Fissati per sempre: che vi ci potete adagiare, ammirando come ogni effetto segua obbediente alla sua causa, con perfetta logica, e ogni avvenimento si svolga preciso e coerente in ogni suo particolare. Il piacere, il piacere della storia, insomma, che è così grande! (Luigi Pirandello, Enrico IV)

Pour ma part, je dirai que tous les livres sur la vie pèsent moins qu’une vie d’homme. Mais, direz-vous: Quelle vie? Quel homme? La réponse est: n’importe lesquels. Dieu seul juge ses créatures en termes absolus. Nous ne possédons pas ce pouvoir. Elles ont toutes les mêmes droits. Leur existence relève du même mystère (Elie Wiesel, cited in Paul Verhaegen, Omega Minor)


Wooden hand-shaped clappers from Akrotiri

M. Mikrakis, “Ξύλινα χειρόμορφα κρόταλα από το Ακρωτήρι”, ΑΛΣ 5, 2007, 89–96 (in Greek).

This paper in Als, the periodical edition of the Society for the Promotion of Studies on Prehistoric Thera, is the first archaeological presentation of three recently discovered wooden plaques from the Late Bronze Age settlement of Akrotiri on Thera. Their affinity to Egyptian hand clappers and their use in ritual are discussed. The exchange between the musical cultures of the Aegean and Egypt is reviewed on the basis of a recently enlarged body of evidence including several terracotta sistra (rattles consisting of a handle, a loop-shaped frame and jingling discs on loose rods passed through the frame) as well as a bronze specimen, all excavated in Crete.